When was the last time you confronted the skeletons in your closest?
Immediately following book one, “Elephant,” Matthew “Matty” Smith awakens from his coma and discovers that his worst nightmare is all true: his grandmother, Jamie, and Derek have gone missing and his mother murdered his father and grandfather years ago.
With the hospital placing him on lockdown, including no visitation rights by his loved ones such as his best friend, Lisa, Matty finds himself deteriorating into a state of the abyss, consumed with the secrets of his family. Convinced that it was the ‘stranger’ who kidnapped his grandmother and friends, no one believes him. The hospital only believes that Matty is slipping into a toxic mental state, repeating the cycle of his family.
Until one day, Lisa helps Matty escape the hospital.
On the run from Dr. Brown, Officer Barry, and the town of La Crosse, Wisconsin, Matty and Lisa set off to find their friends and Lucia and for answers on who the ‘stranger’ is. Once they unmask who the ‘stranger’ is, Matty continues to unravel the deepest secrets of what was supposed to be forever hidden in the Smith family as well as the town.
This story is for those who feel their voice is unheard and for children, teenagers, and adults who never had the chance to heal from their pain.
DELICATELY, MATT’S EYES OPENED to a world of white haze. All the objects were silhouettes. That was until, Dr. Brown poked through the gust of blurriness.
“Thank God! You’re up,” he wheezed.
Matt peered around. The sunlight poured into Room 402, inch by inch. He was in the room as usual. The streaks of sunlight hit the edge of the hospital bed before it dazzled on his skin. His skin was cold and so…fair. Slimmer, shades of purple and pink concaved his cheekbones—a shade of baby blue muddled his skin.
“Ah,” Matt groaned, once Dr. Brown flashed a miniature flashlight back and forth at his eyes.
At least the reaction was a good sign—the teenage patient could see.
Then, a nurse closed the curtains. It was back to the darkened and sinister atmosphere that gobbled up Matt.
“I don’t feel too well,” he said, barely audible, as the middle of his bottom lips splintered with red.
Another nurse dabbed a tissue against his mouth. He took control of it, as though he was refusing another medical employee’s touch.
“It’s because you’ve been in a coma for four weeks,” Dr. Brown chimed in with his patient.
Matt scanned the room until his vision settled upon what should have been Captain Obvious to him. His wrists, ankles, and chest were no longer strapped to the bed. Instead, all three areas of his body were wrapped-up. The white puffy bandages resembled the texture of clouds on a springtime afternoon.
While Matt’s eyes grew lukewarm, he hoisted his noodle size wrists closer to his eyes. “Wha—Wha—What happened?” he asked.
“You had an anxiety attack and went into shock…” It seemed that Dr. Brown dreaded the moment, even though he had scripted out his dialogue for when Matt reawakened, like any good doctor would do.
“Sorry, it’s just…I’m not sure…Matt, I’m not sure just how much you remember at all.”
The outside world. It was breathtaking, as the cotton ball clouds sailed across the sky like ships out to sea.
“What’s the date?” Matt asked moments later.
It appeared that the truth cuffed at Dr. Brown’s heart. “August 5th,” he said.
Matt winced at the impossible and yet, the possible. He broke down into tears and sheltered his face. Just then, his palms met a rigid paper that was on the bottom of his lip. It made sense now—he was out of it, unaware of what was a possibility…and the impossible…
He cried even more.
“Your lip bled on and off. The white bandage cloth was too big.” Slowly, but surely, Dr. Brown reached out for his patient. He slid his fingers atop Matt’s hand and gave it a pat. “Thankfully Lisa brought in a Spiderman bandage. She said you’re a fan of the franchise. I heard there’s going to be another installment…”
Dr. Brown gave a nervous chuckle. Cat scrabbled onto Matt’s tongue, left speechless and almost…numb.
“You know,” Dr. Brown started again, “she comes to visit you almost every day. Usually around lunchtime. She’ll be real happy that you’re awake.”
He did not reply.
“Look, Matt, I know you’re exhausted”—Dr. Brown selected his words cautiously—“I get that. You’ll need more rest. I just hope you can talk to us. Whenever you’re ready.”
The pain took over Matt, as his leg gave a spasm. “I don’t understand how time flies by so…fast…”
“Your heart was beating in a peculiar pattern,” Dr. Brown said. “At first, it was pumping at a rapid rate. And then, it was beating…slowly. And then, it went quickly again.”
Off the doc’s studying look, Matt asked, “What?”
“I just can’t get that image out of my head. After Lisa was removed from the room, we discharged the bed straps from your body when you began to lose…You lost a lot of blood.”
Matt’s eyes descended to his wrists; his mind illustrated all the possibilities and what the memory for both Dr. Brown and his colleagues must have appeared like: nurses and doctors rotated and took his pulse, as well as patched up the holes where the blood oozed out.
For some reason, Matt saw it. He imagined that his own blood was a zombie-gut neon green, just like the classic horror films.
But it frightened him, and he shut his eyes to erase the horrific illustration. The image stayed with him anyhow.
“Matt?” Dr. Brown’s voice echoed through Matt’s state of horror.
“Where was I bleeding?” It was mostly rhetorical, as Matt tried to digest the imminent response. “Where was the blood coming from?”
When Matt’s eyes peeled open, they were red with angst. Dr. Brown pointed to the upper half of his patient’s chest.
“The scars,” Dr. Brown answered. “Lisa—she swore you were dead when she saw us trying to stop the blood.” He sniffled and coughed, as though the rest of the alphabet clogged up his throat. “We all saw the scars when the blood eventually…came to a stop.”
Matt glanced away. For a moment, he almost fooled himself while the tears streamed down his face.
Dr. Brown was tentative until, “A worldwide search was put out two weeks ago. Matt…” Compressing his fist with his mouth, he prevented a scream. “Matt…”
Cat got his tongue.
Matt noticed and watched as anxiety and pain consumed his doctor’s shaken body. Before the Spiderman bandage detached from Matt’s cherry rose lips, Dr. Brown ascended to his feet.
“Excuse me,” was all he said before he scampered out of Room 402.
“Dr. Brown?” Matt listened to his doctor’s fancy schmancy shoes swerve across the tile. The fretful voices of nurses and doctors echoed throughout the hallway as they called out for their boss’s attention.
“Doctor…” Even Matt’s voice was lost. “Brown?”
Wherever his doctor fled, Matt saw no other reason but to wait…and wait for him. He sniffled, and with a revelation, he gasped. He remembered…and his eyes returned to the cheese holes in the ceiling. ‘They’re missing…They believe you. You are not or will ever be alone again.’
Natalie Rodriguez is an award-winning writer, director, and mental health and anti-violence/trauma advocate based in Los Angeles, CA. In 2014, she graduated from California State University, Fullerton with a Bachelor of Arts in Radio-Television-Film. Her first experience in entertainment was an internship at the Conan O'Brien show and Peter Guber's Mandalay Pictures, where she worked at the offices of producers, Matthew Rhodes ("Cherry," "Men in Black: International") and Academy Award-winner, Cathy Schulman ("Sharp Objects," "Crash").
Natalie was also a panelist at events, including Google, Hispanicize, and YouTube, where she has shared her story as a writer, filmmaker, and a female working in the entertainment industry. Some of her previous writing work can be found in publications such as the HuffPost Blog, Thrive Global, Anxiety Resource Center, Opposing Views, NowThis News, Zooey Deschanel's Hello Giggles, The Mighty, and more.
In 2017, she founded her production company, Extraordinary Pictures, focusing on both films, television, digital series, and social issue projects. The company has a list of projects in its roaster, including development on a TV sitcom, "The D," which placed in top-ten for best comedy screenplays at Stage 32. At the moment, Natalie's second directorial feature film, "Howard Original," is in post-production and set for an August 2020 release date on YouTube Premium. The film is based on the award-winning short film about a washed-up screenwriter named Howard, who encounters more than just selling a story, a studio rejection, and writer's block when his pet cat comes to life.
Natalie's directorial feature film, "The Extraordinary Ordinary," which she also wrote, produced, and was the executive producer on, is making its round through the festival circuit. The film deals with young adults, mental health awareness, and the aftermath of trauma. The film won 'Best Film About Women's Empowerment' at the Glendale International Film Festival and scored nominations in Best Director, Best Female Director, and Best Picture. The film also had a sold-out world premiere screening at the Los Angeles Diversity Film Festival (LADFF), winning 'Best Performance' by the leading actress, Maddison Bullock. Further details on the project can be found @theextraordfilm, including recent film festival awards and nominations.
Her other screenplays and films have also been featured and placed in the final rounds at HollyShorts Film Festival, NALIP: Latino Lens Film Festival, ShortsTV, Stage 32: Comedy Screenplay, Beverly Hills Film Festival, Culver City Film Festival, Indie Night Film Festival, Hollywood Screenplay Contest, Table Read My Screenplay - Austin Film Festival, and others.
Natalie was most recently an ambassador for Jen Zeano Designs (JZD), a clothing company in association with USA Networks. While she continues to build her creative background, Natalie is always open to collaborating with other artists and advocates. Currently, she awaits the publication of her first young adult novel this April 2020, "Elephant," a story about four childhood best friends who uncover a family secret. The book was also a finalist at Clare Books' the Binge-Watching Cure II contest for 'Best Novel.'.
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